Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Purchasable with gift card
$8.99USD or more
Compact Disc (CD) + Digital Album
In Digipack with liner notes Re-mastered from origial tapes Digital download included
Includes unlimited streaming of Trio
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
ships out within 4 days
Purchasable with gift card
$9.98USDor more
Super Limited Edition Vinyl
Record/Vinyl + Digital Album
This is one of the three reissues (Lowell Davidson, Marzette Watts, Free Music Quintet) in a series of highly limited edition vinyl releases. Each record was released in a 180-gram vinyl limited-edition pressing strictly capped at 30 copies.
Includes unlimited streaming of Trio
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Sold Out
12" normal weight black vinyl LP
Record/Vinyl + Digital Album
LAST COPY OF THIS EDITION
No new edition until at least 2025
Includes unlimited streaming of Trio
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Lowell Davidson recorded this singular session on July 27th, 1965 with Gary Peacock and the ever amazing Milford Graves. Sadly the only recording ever released by Davidson, it remains fresh and exciting 40 plus years later.
On Ornette Coleman’s recommendation, ESP-Disk’ owner Bernard Stollman signed up pianist Lowell Davidson (then majoring in biochemistry at Harvard) for this album without having heard him play. Davidson came to New York and got to work with the elite rhythm section of drummer Milford Graves and bassist Gary Peacock, both stalwarts of the ESP catalog. The interplay among the members of the trio is dazzling, but in all ways the pianist is the star of the album. His playing inevitably drew comparisons to Cecil Taylor (can’t blame the critics too much, as there just weren’t that many pianists going this far out in 1965, so there weren’t many comparisons available), but he is his own man stylistically, and puts more space around his notes. He’s equally likely to unleash complexly intertwining two-handed runs, spicy dissonances, shimmering Impressionism, or poignant lyricism.
When European labels licensed this album for CDs, the sound was a bit grimy, but on the 2008 remaster, all the instruments – even bass – sound much more present, making this secret classic of avant-jazz more enjoyable than ever.
credits
released January 1, 1965
All compositions by Lowell Davidson (ESP Disk' Ltd. ASCAP)
Lowell Davidson: piano
Gary Peacock: bass
Milford Graves: percussion
Recorded July 27, 1965. Engineering by Art Crist. Photography by George Klabin. Original cover design by Baby Jerry. Production manager: Tom Abbs. Tape transfer & mastering by Steven Walcott. Design & layout by Miles Bachman & Michael Sanzone.
Press Quotes
"Seek this distinguished document -- it is a treasure." - Michael G. Nastos, All Music Guide
"...this recording serves well to define the extraordinary talent that was Lowell Davidson."
- Jerry D'Souza, All About Jazz
I have one of the TPings of this genius's work and ît feels like a great honor. I think of Grimes as being more famous with musicians than the general public because of his taste in music. But he is brilliant and worth familiarizing yourself with. Great album start to finish. John Seltenreich